#coffee

Stampede!

8/12/10 – Birmingham

In lieu of sleep, I am becoming completely fixated on coffee.

Before we leave Hot Springs, Nathan and I get coffee at a place called the Nut Cellar. As we’re walking in, I say absent mindedly, “I love nuts.” An older gentleman sitting on the sidewalk laughs dirtily.

In the store, a weathered and wiry little guy approaches the counter. He starts talking incoherently in an extremely guttural twang about how he’ll pay the owner back for coffee when he gets his check next week. He’s like the Hot Springs version of Popeye’s Wimpy (“I’ll gladly pay you Tuesday for a hamburger today”). His voice and mannerisms seem totally fictional. If he were in a movie I’d cry, “caricature!” Then, one of the other patrons addresses him, “See you later, Turkey.” It’s clear that he’s not calling him a turkey, but rather than the guy goes by the name Turkey. Which is about as perfect as a nickname could get.

Our drives have been long, and finally, we’ve gotten down to 7 hours. We’re staying with Nick’s best friend from Omaha, Nate and his wife Katie. They live in an old neighborhood like the one we grew up in, and the combination of the screaming of the cicadas in the giant trees and the oppressive humidity makes me so nostalgic.

The club is called The Nick, much to Nick’s delight. The sign out front says, “The Nick Rocks”. Of course, both Nick and I buy tshirts.

I meet a girl at the bar who is bemoaning the ink stain on her tote bag. I am so starved for girliness that I spend five whole minutes telling her how to get the ink out. (I admit I have a laundry fetish.)

Our show is really fun and sort of hilarious. The Nick seems like the place where things could get pretty crazy. All of the people working are super friendly and wryly funny. Twinside plays with us and they make me so happy with their Verbena-like harmonies. Plus, I get to meet the drummer from Verbena, a band I love. The final band is an incredibly tight southern rock band called A Thousand Horses. We praise their showmanship and chops, and then they tell us it’s their first show ever. Uhhh….whoa. I resolve to keep track of these boys.

Communication Breakdown

Mesilla, NM to Austin, TX–Friday, September 8
We hit a place called the Bean on the way out of town to get coffee; it’s nice to find some good coffee that’s not Starbuck’s. After El Paso, there’s just nothing. I’ve only driven this long with no signs of life once before—through central British Columbia.

After we cross the Texas state line, Nick turns to me and says, “It’s weird, but I keep feeling the urge to ‘mess’ with this place.”

We’re getting really loopy and stupid, having had no privacy for over a week now. While I’m air drumming to The Creation, Nick starts laughing. “What?” I say. He says, “You just stopped mid drumming and started flexing your biceps.”

As I’m getting spotty phone reception I get a call from my editor at the Tribune. Through the static, I gather she wants to know where my column is. I’m baffled. “It’s due Thursday.” I say. Long Pause. “No, it was due yesterday,” she says. My heart freezes. I hang up and start hyperventilating. Nick pulls over in Ozona, so I can gather my thoughts. I put my head in my hands and try to cry—this is terrible–but I can’t.

I started rifling through the car looking for the press releases I need. Every call I make is dropped. Finally, I just stare, catatonic, like the guy in Ferris Bueller when his dads car gets trashed.

When I regain consciousness, I notice we’re in front of the town square. There’s a sign for the David Crockett memorial, and a strange couple are walking a pair of leashed cats in front of a statue of Mr. Crockett. Nick wants to go ask the Crockett Museum what the difference is between Davey Crockett and Daniel Boone, if it’s like Sasquatch versus Bigfoot, but decides to go photograph the town gunsmith instead. I stew in my misery.

We roll into Austin around 9 o’clock and are presented our digs for the next few days. The huge upper floor of a gorgeous, historic house. Score.

We get sent to barbeque joint down the road—brisket and greens. Delicious. Then we go to lodge in the trees, called the Spider House. Lots of kids are drinking mochas. I keep trying to take a photo of the sign, which looks like 60s Disneyland, but it’s all blurry.

Later we go to a bar. Everyone there—friends of friends mostly–is partying, really warm and welcoming. We sit at a giant picnic table in the open air. At three AM, we get tacos al pastor. We go to bed full and happy–I’ve managed to temporarily forget how completely screwed I am.

Desert Solitaire

Los Angeles to New Mexico–Wednesday September 6

We dawdle like hell getting out of town. First we look for coffee, but then we find food—real food–and decide to eat the known quantity here rather than seek it out the unknown later. Our menu orders hedge against the future, a sort of anticipatory eating. For example, I am in no mood for oatmeal, but it seems relatively healthy, so I grab it, to combat the upcoming white flour carnival. Nick gets all four food groups in the blue plate special—meatloaf, mashed potatoes, steamed carrots and broccoli. I’m pissed.

Then we shop a little. I contemplate a pair of vintage Frye boots, but the store owner makes me try them on one at a time, using a plastic bag as a foot condom. Is this standard in LA? I pass on the boots, due to insufficient data. Nick ogles a pair of Pumas—he’s cheating on the Clarks Wallaby’s due to their hard-to-get routine. LA has been relatively dead since we got here, perhaps due to a post-labor day lull. But we are served up some hard-core traffic on our way out, delaying us even further.

We give up in Blythe, California, much earlier than we hoped. Our required fight starts up, about Nick’s reluctance to keep driving and my inability to drive. We agree on 5:30 as the wake-up time. The hotel room has cable, so we alternate between the preposterous all-star movie Twister, and the newest addition to the Cartoon Network, Pee Wee’s Playhouse.

In the middle of the night a gigantic storm rips through and wakes us. The whole building is shaking—out the windows, the rain is blown horizontal by the high winds. We have a term for this sort of epic, apocalyptic environmental behavior, due to our obsession with a particular movie. “War of the Worlds,” Nick croaks, and lays back down.

Jolie Laide

Saturday, June 17–Montreal
I am obsessed with Tim Hortons, so I force us to walk around looking for one. We fail, and finally settle on Starbucks. Mike spills his coffee as we’re loading the car so we get to stop at Tim Hortons anyway. Well, I was the one who set it on the amp. . .

I guess it is time to explain about loading. Perhaps a few, or many of you are in a band, but I’m assuming many also are not, so here’s a peek. My least favorite part of being in a band is loading, which is a huge proportion of the time one spends. For example, let’s say we have a show in Portland. This means that we need to allow about 20 minutes to pack up the equipment at home. Then, the car gets backed into the driveway and all of the gear is packed into it. Another 20 min. Then we drive to the club, where we need to first send an emissary in to make sure there is an appropriate place to load. Then we park illegally while we load. With two people it’s sort of tedious because one person needs to watch the stuff, leaving the other to do all of the hauling. For this reason, we usually take shifts. Then, after the gear is loaded in, Nick finds a parking place. Next is the task of setting up onstage. This takes us about twenty minutes. For my drums, which are very minimal, that means setting up four drums, three cymbals configurations and one pedal. You can’t just throw them together. Ergonomics and replicating the set up I’m accustomed to are crucial, so I may keep moving things an inch here or there, over and over again. Sometimes, when the club has an official sound check, we have to set up and then break down again, to make room for another band to sound check. (Which means we set up again when it’s our turn to play the show.) Once we play, we then have to break down the equipment again, pull the car around, take turns loading out, pack, and bring it all home again. Then the next day we have to set up again to practice. So, for example, for a 30 minute set, one might spend an hour and a half to two hours loading and setting up.

When you stay overnight somewhere, it is wise to bring the gear inside if possible. As I write this, we’re staying on a 3rd floor walk up, so imagine. Then our kind hosts have all this gear in their apartment. The Toronto hotel was on the 9th floor, so we had to get two luggage carts and do shifts. It’s pretty easy to spill a coffee in that situation, especially if you’ve set it down on a wobbling cart. This is why I got to go to Tim Hortons, for a second coffee. Yay for loading!

We pull over after a couple of hours because the boys want to see the US / Italy match. The town is beautifully quaint and is called Brockville. Coincidentally, the bar’s satellite radio plays “Don’t Go Back to (B)rockville” on the stereo while we’re there—or maybe it’s a hint. The place is jammed with rugby players and rugby boosters, who are wearing hawaiian shirts and funny hats. They stagger periodically to the bar, with black eyes and bum knees. One asks the waitress to fill a rugby boot with tap beer. A minute later they start singing and force a team mate to slam the foot flavored beer. I keep trying to engage them because I am bored by soccer. One guys wanders up with a penis-shaped hat. Of course I have to ask. He explains that the biggest loser of the game has to wear the hat. What did he do? He took a job in another province.

US ties. We leave.

I start reading aloud from Motely Crue’s The Dirt, one of my favorite “lite” books of all time (Go buy it NOW.) The band at one point calls groupies “human entertainment.” The boys think this is so funny, and will now refer to it as “H.E.”

When we enter Quebec, for some reason I’m shocked when all the signs are in French, Nick keeps pretending not to understand them. Like–, “Wha? Toon-ell? I need to find a tun-nel!!” We are tired so this is hilarious.

Montreal is very old-looking, go figure, and seductive, like an older French woman. The first person on the street I see is wearing a vintage-style sailor suit.

The gig is at a club called L’Escogriffe, which is an underground, stone=walled place with a cool marquee, which our names are on(!). We play with two country/rockabilly bands, and have our first real “dancer” (who gets kicked out) and our first heckler. He keeps asking questions of us onstage, like, “Did you really come all the way from Portland? Why are you so eighties influenced? What kind of amp is that?” Finally, I have to do something, so I say, “Wow, our first heckler. Exciting!” He is hurt and embarrassed, denies that he is heckling. Then he skulks out. Bad Flirt show up to cheer us on, our first band friends in Canada.

Bloodshot Bill is up after us and he sounds uncannily like Wanda Jackson. I hadn’t known one could get that sort of guitar sound these days. The label guys tell us he played 250 shows last year. This makes him an alien to me, another species.

Afterwards, we go back to Andrew’s, where we are staying. I sleep while the boys go looking for trouble. They fail.

We wake at 1:00 PM the next day, sweating in the bright sunlight, not knowing where we are.

Canada: It kills

Thursday, June 15–Hamilton, Ontario

We wake after four hours of sleep, faced with an eight-hour drive and the unpredictable task of crossing the Canadian Border for our show in Hamilton, Ontario.

Over the border, we note how much less sinister it seems here. Like if we totally went crazy–drove off the road and ran naked through the streets spray painting cop cars and harrassing kittens—the locals would feed us a hot meal and call our parents, rather than stealing our gear or beating us up.

My jeans are falling off from the lack of eating. A government road sign advises, “Fatigue Kills. Take a break.” Its frankness is impressive; in America, someone might try to sue, saying the sign upset her children. We heed the warning and pull off. Nick says, “I sure wish there was a different kind of fast food here.” Bingo! There’s a sign for a place called Tim Hortons. Inside, the counter people are ridiculously nice and the food is a huge step up. The coffee is perfect and they serve our sandwiches on real plates. I love Tim Hortons! I can’t wait to wake up tomorrow and buy some more of their goods! Right now, as I write, I wish I were swimming in a pool of Tim Hortons coffee, floating lazily on a giant glazed donut innertube.

In the parking lot, a kind farmer–a total roadside anachronism–points out that we’re awfully far from home. For the next fifteen minutes, he explains the dire straits of the bean farming economy, and shows us pictures of his dog, who he claims can actually count and sometimes multiply fingers held aloft. (The dog barks the correct answer.) The dog also, judging by the pics, loves riding shotgun on farm equipment.

More road signs keep popping up. A first version in English and about a mile later, the same thing in French. Drunk Driving Kills. Tailgating Kills. It’s a wonder anyone musters the courage to get behind the wheel.

Mike took a Greyhound us to Hamilton, due to some coordination issues, and arrives at the club shellshocked by the experience. Two buses in a row broke down, and a prostitute named Lisa, a woman with a tiny pink dress, cat-eye makeup, and a nasty rash, befriended him. She was the most normal person on the bus.

Mike recounting this story reminds Nick of his own stint selling sex ads at Portland’s local newsweekly. Few things are more incongruous than imagining Nick, Mr. Deadpan, regularly collecting cash from Ladies of the Night. He’d field complaints (for example, that the font on the ad for “Sensual Massage” looks like “Lensual Massage”) relentless bullying for discounts, and occasionally, threats from pimps.

Our t-shirts and 7-inches that we shipped here never arrive, all but killing our gonzo merch campaign. We meet this cool band called Yip Yip, who come out wearing checkered jumpsuits inclduing face masks and goggles, so that no skin at all shows, and play keyboards and toy saxophones. They’re sort of terrifying,

We decide to buy a hotel so we can sleep in. Yes, tomorrow, we will sleep. And explore. And eat. Oh yeah, and play a concert.

The long and winding road

Saturday, June 10–Denver

We go to Bella’s, which is, in fact, a “Gentlemen’s” club that also serves espresso. It seems likely that, at some point during the day, one can see naked women and drink espresso at the same time, as the latte, priced at $4, obviously includes some sort of vice tax. A memorabilia case shows that Bella’s was, in fact, a full-on whorehouse in recent history, but they seem to have dialed it back a bit. Now, they have loose tea and flavored coffee syrups and joke books for sale.

The drive is surreal, very Wild West. Over the Great Salt Lake, a haze of salt evaporation hovers in a band across the horizon. We cross the continental divide at 4:30. I don’t know what it means, but it seems worth noting.

All day, we can’t believe how slow the miles are passing, and fret about being late. Finally, I call the Hi-Dive to say we’re tardy. The sad thing is that in this sort of band situation, calling to say you’re late is much lamer than actually being late. Once there, the person with whom I make initial contact is jovial and watching South Park on a giant screen. He tells me over the high volume that we’ll be playing with a band called Lion Thighs. Across the street we get a slice of pizza and three girls in outfits constructed solely of duct tape walk in. I hear them tell an employee that it’s too bad he’ll miss “the show.” Could this be Lion Thighs in the flesh? Just before we go on, I notice “Lion Size” written on a bass drum by the stage. And they’re three guys, sans duct tape.

The show itself is really fun. We’re more confident than in San Francisco—or at least I am, and people seem to like our band. Lion Size rocks hard, the bass player doing Van Halen leaps, and then another band takes the stage, playing Lion Size’s already set up instruments. They too rock, and the person standing next to me says, “This is Bananas.” Bananas, I think, what a brilliant name; I’m mad I didn’t think of it myself. Then they introduce themselves as Cowboy Curse and I understand that the “bananas” was misinterpreted. Everyone at the club is friendly and fun, and we leave feeling once again lucky to have had such a warm reception. We hope to return to the Hi-Dive soon.

Afterwards, it’s late, but driving a ways seems like a good idea, to get a head start on Omaha and to avoid the expense of a downtown hotel room. We are both exhausted and talking insistently about nothing, in order to stay awake. We don’t even notice the gas tank is low until it’s almost empty. At the gas station, it’s 2:00 AM and the only other patrons are a van full of black haired, black tshirt boys. . .wait. . .a band. I go inside to buy a snack and two of them are chatting up the clerk. Clutching my “burnt” peanuts (the carcinogenic red candied kind) I eavesdrop as they tell her how they’re playing Omaha tomorrow night. I raise my eyebrows. One of them nods in my direction and tells the clerk, “She hates us.” “Me?” I say, stunned. Then I tell them we’re playing Omaha too. They get all excited about the coincidence and ask our band’s name. For once, they get it first thing (yes i know we made our bed), repeating the name perfectly. Jack tells me his band’s name is “Baysuh.” It sounds like a fancy multisyllabic way of pronouncing “bass” and I think, hmm they don’t look like a funk band. I ask him to repeat himself and he says, more clearly,“Bayside.” I appear to be experiencing auditory hallucinations. We chat some more and they accompany me to the car to meet Nick, like goodwill ambassadors from the professional rock van. We wave goodbye loopily.

The next hotel possibility is much farther than we thought. We finally pull into Ft Morgan at 3:30 AM, and guess who’s right behind us, the only other car on the highway? Bayside! We are cracking up and so are they. We beat them to Days Inn, which has no rooms. Then we go to Super 8: no rooms. Each place, they pull in behind and we gesture: don’t bother. We spot the Best Western: no rooms again. Now, we’re driving erratically, in panicked circles. At some point we lose Bayside and I’m kind of sad. The fact that they are in the identical ridiculous, ill-conceived situation, makes me feel close to them, bonded. It’s one of my favorite things about being in a band—there’s a whole small world of people, playing similar clubs, meeting similar people, eating the same bad food, sharing the same travails. Obviously, Bayside is a different sort of band, on a different scale, but they’re just as screwed as we are right now. We decide pressing on toward the next town is inconceivable; we’re just too exhausted, so we end up parking in front of the city park. We cram the seats back a few inches and try to sleep for a bit, so that we can drive to Omaha. I am sure we will be awakened soon by a cop knocking on the window, and I’m actually kind of looking forward to it, sharing our desperation with a stranger. I am sure I can make him pity us, even root for us. He will be a hard-ass at first, which will only make the eventual conversion all the more satisfying. The cruiser light will flash silently as he escorts us to the one secret remaining hotel room in town. Imagining it, my eyes flutter close.

Wild Wild West

Friday, June 9 (part 2) – Nevada

A couple of hours outside of San Francisco, I make a bunch of phone calls and keep telling everyone, “Nevada, I’m in Nevada!!” in the same incredulous inflection people use when they utter the word “Nebraska,” my home state. Just another example of what pop psychologists call the cycle of abuse. Who do Nevadans deride?

Three hours later, we see a sign that says, “Welcome To Nevada,” marking (obviously) the actual beginning of the state. I’m disappointed and a little embarrassed, but I’m used to being wrong. I just make things up sometimes, convinced of their truth. At Yoshi’s house, I was recounting how Nick was at Candlestick Park during the World Series earthquake. Nick walks in to inform me I’m completely wrong. I had been so sure. . .

More bad food—this time we try Subway and regret it. I am a Subway virgin, and wonder aloud how “Jared” pulled off his diet. Nick tells me this particular Subway is sub-par, even for Subway.

Later, we pull off to get a beverage at a single building in the middle of nowhere, designated as “Gas Station/Mini Mart/Bar/US Post Office.” Suddenly, the driveway pavement gives way to a minefield of foot-deep potholes. But the only vehicles in the lot are mud-splattered monster trucks, so the holes must be an entry initiation. Above the entrance to the “bar” section of the building, a sign warns, “You must be 21 to enter. You must act 21 to stay.” The unmistakable riff of Fortunate Son ushers a stumbling man into the vague delineation between bar and mini mart. He holds a fist aloft and slurs, “I dedicate this fuckin song to every fuckin kid in Nevada!”

This snaps me out of my slow, baffled progression through the store. I scurry for the counter with a canned Starbucks “double shot,” and the clerk tells me how much she loves them. We bond over our shared taste in drinks. The moment is a comfort, as the vibe is pretty dicey in the bar, and the action keeps spilling over to where we are. Shit will definitely be started at some point this evening—maybe every evening–but we’ll be long gone by then.

In the car, Nick wonders aloud if Starbucks ever thought in their wildest dreams that a woman at a roadhouse in desolate Nevada would be endorsing their pre-packaged drinks.

A while down the road we get delirious with giggles, and Nick tells me in all sincerity that he now understands the term “natural high” because he feels really stoned, except that he has a secondary, more sober consciousness that is fully aware he’s laughing at stupid shit, but is nonetheless powerless to stop it. The Doves song “Black and White Town” comes on, and in that stoner way we just go nuts, philosophizing. Nick asserts that it is the sonic embodiment of an Industrial UK town (Nick lived in a “Ned” neighborhood in Glasgow for a while). The high hats are unrelenting for the whole song, like a locomotive crashing through the neighborhood. If you haven’t heard it, you should go listen.

We give up in Wells, NV because the bug guts are so thick that oncoming headlights are turned into pulsing slashes, something straight out of Star Trek. We find a hotel and head towards a café that the desk person recommends. By recommend, I mean she vouches that it would be open. I relay to Nick that it’s called, er, “The Three-Way.”

On the way there, we pass a place called Bella’s Espresso, whose entire building is outlined in pink neon and glowing hearts. That is a whorehouse, I say. But it says espresso, Nick says. Then he looks again and says, Wait, that does look like a whorehouse.

We find the café—which is actually called The Four-Way (dang!) and is not only a café, it’s a Casino/Truck Stop/Café. These Nevadans are such multi-taskers. Inside, the crowd is completely apeshit. Everyone is drunk and spilling out of their booths, calling to other patrons, staggering around the aisles. Yet incongruously, they’re eating eggs and hashbrowns in full fluorescent light. It’s totally bizarre. I had planned to order a beer, but change my mind; it seems best to keep my faculties fully intact.

After dinner, we use some merch money to play the slots. Total losses: $2.

Then we collapse.

Suggested Nevada State Mottos: 1) We’re rowdy! 2) We heart potholes.

Daily stats:
Times Nick caught Heather looking at her biceps: 16
[Ed. Note—gross exaggeration!]

San Francisco’s siren song

Friday, June 9–San Francisco

We just left San Francisco, which was, all things considered, a coup.

In times like this, I realize I have a birth defect called “high strung personality” and that this quality is in painful and direct opposition to the necessary attitude for tour. To wit: An interviewer calls this morning (before I’ve ingested any caffeine), and right as I answer I hit the speakerphone button. I can’t figure out where to talk into and I completely spazz, turning the phone over and over. I yell in the general direction of the phone asking him to call back in two minutes. Then I spend those two minutes hitting every button on the phone and pleading to Nick (er, yelling) “fix it!!!”. He reminds me that it’s not the end of the world if I have to talk on speakerphone. It’s not? Are you sure?

Anyway, this is my way of introducing the hour and a half spent lost in San Francisco yesterday afternoon. We had hoped for a spot of tea, or a stiff drink, or a nap, but instead we drove around, lost in Golden Gate Park, lost at the top of a terrifying hill, lost in a cul de sac packed with fit singles, as I stared at the map frantically hoping I could conjure the missing streets—the ones that we were driving on but were nowhere on the map. We made it of course, but not before I had declared the tour ruined several times, reflecting on how if only I hadn’t bombed Cell Biology I might have been a doctor golfing in some grassy knoll, rather than driving around lost with the very person whose birth I once believed was a cruel joke inflicted on me. (Hey—I was a kid.) Aww, what am I talking about. Rock rocks.

Anyway, San Francisco was a blast. Our host, Yoshi, was fantastic. The club, The Rickshaw Stop, was one of the nicer clubs I’ve ever been to, let alone played. The sound was excellent and the staff, especially Waldo, who did the sound, were remarkably nice. Our friends came out and hung like troupers. As we are driving out of town, the light is perfect and it’s the most beautiful place in the world. Nick says, I could live here. I completely see what he means. If he does move, I’ll have to follow. Perhaps it’s a fleeting thought; we’ve been seduced by perfect light and it will wear off quickly. Either way, we’ll be in Portland for a while.

Nick can’t drive 55

Thursday, June 8–Oregon

On the way out of town we see a giant Caveman statue and we exchange looks. Nick promptly heads right for it, intuitively, as if we’ve been on Caveman quest all along. At the base of the Caveman, a plaque explains that Grants Pass is famous for a “booster group” from the 1920s called—get this–the Cavemen. They gave themselves names like Big Bone and Fluffy Pelt, wore animal skins, and claimed to be direct descendants from Neanderthals. Supposedly, their activities included appearing at a Broadway show (wha?!?!?), which seems very 2006, Broadway-aesthetic wise. This season, they could open for Menopause: the Musical.

We stop to get an espresso in Yreka, California. It’s a a drive-thru, which sounds fast, but will actually the single slowest coffee experience I’ve ever had, partly because the woman working there is going crazy from being locked up in a box all day. Maybe it is our fault; we walked up to the window. While she’s making our coffee, a man drives up to the window and wants to know the maximum number of espresso shots that could be fit into a coffee drink. She guesses she could cram five into a 20 ounce cup. He then wants to know the most “exciting” drink she could make him with him with these five shots. She keeps describing different drinks and he says “nope, not exciting enough.” This is all while she’s supposed to be making my coffee. Right as she flips the blender on to make his “Crazy Caramel MindFreezer” she informs me, apropos of nothing, that she didn’t care that Kurt Cobain died. Then as if in consolation, she concedes that she really loves tiramisu.

For lunch we eat at Burger King. I can’t believe it, but I don’t want to waste time looking for something else. On the Today Show recently, Eric Schlosser said that McDonalds is one of the largest toy retailers in the country. I happen to find kid’s meals perfectly-sized (for me), so now, after two of them in two days, I own a disturbingly “hot” troll-teenager doll and this Bratz thing—a perfume bottle?–that looks like a buttplug.

So, here’s a debate for you. Are fast food places really grosser at gas stations? We keep snubbing the truck stop McDonald’s, as if they’re somehow inferior, like the fries will be cooked in diesel fuel. They’re probably the same, but we just can’t do it.

Nick is wearing an outfit that looks like Larry David. Sorry, that is not grammatically correct. The outfit looks like that of Larry David. Grey slacks and a polo shirt and white tennis shoes. I wish we were driving a Prius—then we could get into a “situation.”

Grand Funk Railroad keeps popping up in the ipod mix. Do you think they really got laid in Omaha? “four chiquitas in Omaha. . .we tore the hotel down.” I’d be pissed if I were those chiquitas and heard about it on the radio. Makes a bathroom wall look discreet, you know?

Fights:
One. Brief. I was working on an article and failed to acknowledge Nick’s celebratory honk as we entered the state of California.

Driving division of labor: Nick 10 hours Heather: 3

Place names that could be euphemisms for sex acts:
1) Balls Ferry
2) Junction City